prospectus

Prospectus for the Symposium

INTRODUCTION

By design is meant a discipline which Herbert Simon described, thirty years ago, in his MIT Compton Lectures The Sciences of the Artificial as "a body of intellectually tough, analytic, partly formalizable, partly empirical, teachable doctrine about the design process". Such a process is social and takes place within the context of technological possibilities, market realities and cultural values. While design can apply to many things, here it is specifically concerned with material objects which have shape. The design process, as traditionally conceived, includes:

  • recognition of needs and opportunities for design innovation

  • formulation of a design response

  • representation of design options

  • evaluation of design options

  • selection of a preferred design

  • specification for manufacture, or construction

  • implementation as a product

  • marketing of the product

  • maintenance, removal, destruction, or recycling.

    Overarching this process, from the strategic to the tactical, are design policy, design planning and design management. In the past this process has been seen as largely sequential and discrete. Today, with computing and automation, there is a move to make much of the process concurrent and continuing over the life of a product. Designs as products include a multitude of diverse and connected parts. Design as process seeks to develop parts and connections, forming them into a complete product.

    By computation is meant those intellectual developments which have been signposted by the achievements of Boole, Stone, Turing, Post, Markov, Church, among many others. Computation is understood as a theoretical enterprise, in contradistinction to computing which is its practical embodiment. While the two are inexorably related, the theoretical foundations of computing are often overlooked in the study of the design process. The result in some fields is that pre-computational methods of design are being computerized, even automated, without gaining the full benefits of a reassessment of the process as a whole in terms of advances in computational theory. Computing as a supporting technology is succeeded by computation which pulls together themes of design as product and design as process. All indications suggest that the traditional parsing of the design process is about to undergo a paradigmatic transformation.

    COMMENTARY

    Shape is characteristic of all physical, material design. The single, most significant development in computational theory in regard to shape, took place 25 years ago at UCLA with the introduction of shape grammars by George Stiny in the System Science Department in part collaboration with James Gips at Stanford's Artificial Intelligence Laboratory. Stiny is now at MIT, Gips at Boston College. In Pictorial and Formal Aspects of Shape, Shape Grammars and Aesthetic Systems, Stiny proved that a shape grammar was a Turing machine. UCLA psychologist, Ed Carterette, described the thesis as "a bold anfractuous rock". Stiny and Gips' prize-winning book Algorithmic Aesthetics: Computer Models for Criticism and Design in the Arts was published by the University of California Press in 1978. In his review, UCR philosopher, David Harrah, suggested that the Stiny-Gips model of aesthetics "is probably best construed as an analog of Church's Thesis". In her UCLA doctoral thesis of 1986, Terry Knight, uses the recursive structure of shape grammars to examine stylist transformations in the visual arts with examples drawn from art, design and architecture. Her studies are beautifully brought together in her 1994 book Transformations in Design: a Formal Approach to Stylistic Change and Innovation in the Visual Arts. Knight is now at MIT.

    In their 1980 paper, Gips and Stiny showed how shape grammars related to, but differed from, other production systems. In particular, most systems deal with strings, lists or arrays of discrete symbols; but a shape grammar deals with geometrical entities which are continuous. A consequence, which was not originally appreciated, is that shape grammars have no fixed vocabulary. They are non-atomistic. March and Stiny summarized the new design and computation paradigm in their 1981 paper 'Design machines'. Here the steps of the design process become generic and are recursively defined. In 1985, the relationship of this new approach to traditional design methods was sketched in March and Stiny 'Spatial systems in architecture and design: some history and logic'.

    Historically, several separate strands of research converged on the field of Design and Computation as it became defined by those associated with the group at UCLA:

    The complexity of design possibilities compounded with the plurality of descriptions by agents in the process makes these 'structural' representations key components in a computational view of design. The 'design machine' requires the parallel computation of multiple descriptions (equivalent to communication between different agents in the design process, with distinct viewpoints, and peculiar dialects, or professional languages). This leads to problems in large-scale, multi-user data management. Perhaps the difference here is that while most data management systems work extensionally, the shape grammar approach works intentionally and offers the possibility of significant data reduction through its algorithmic derivations (that is, the rules required to generate a design may well be computationally more economical than any specific, individual description). Most significantly, the approach does not restructure information, but allows for structuring to occur contingent on current interest as an outcome of the computational process. While conserving computational continuity, this permits the emergence of unforeseen relationships and correspondences. Even the simplest of shape grammars may exhibit 'miraculous' behavior.

    Over the past twenty-five years, some aspects of the Design and Computation approach have found applications in art, design, architecture, archaeology, urban planning, geography, engineering. Studies have ranged from the historical to innovative, from critical to constructive.

    A NEW INITIATIVE

    This initiative proposes the creation of a new unit, similar to an Interdepartmental Program, focused on doctoral studies and research in Design and Computation. In this way, UCLA's quarter-century investment in these studies will continue to be realized here, along with preserving and enhancing the substantial reputation that UCLA already has in this field. In order to promote this initiative, the Vice Chancellor, Academic Affairs, is sponsoring a Symposium in the Spring Quarter 1997 to include internationally recognized scholars from outside UCLA, and faculty from cognate fields within the University of California.

    PURPOSE OF THE SYMPOSIUM

    The purpose of the Symposium is to

    LOCATION AND TIME OF SYMPOSIUM

    The Symposium will be held at the Mandalay Beach Resort, 2101 Mandalay Beach Road. Oxnard, CA 93035, Telephone 805 984 2500. Participants will meet on the evening of Thursday May 22 for dinner. The symposium will last for two days, from Friday thru Saturday afternoon.

    Invited participants will receive a READER which will include the following papers, chapters and reviews upon which the Symposium prospectus above has been based. This will be mailed with details of ground transportation arrangements in April.

    References

    Carterette E 'Review of George Stiny Pictorial and Formal Aspects of Shape and Shape Grammars Birkhauser Verlag, Basel and Stuttgart 1975' in Computers and the Humanities 1977 11 168-172

    Earl C F 'Creating design worlds' Environment and Planning B: Planning and Design 1986 13 177-188

    Earl C F The representation of kinematic chains' Environment and Planning B l979 6 455-468

    Earl C F. Johnson J H 'Graph theory and analysis' Environment and Planning B 1981 8 367-391

    Earl C F. March L 'Architectural applications of graph theory in R J Wilson, L W Beineke (eds.)Applications of Graph Theory Academic Press 1979, 327-355

    Gips I, Stiny C 'Production systems and grammars: a uniform characterization' Environment and Planning B 1980 7 399-408

    Harrah D 'Review of George Stiny and James Gips Algorithmic Aesthetics: Computer Models for Criticism and Design in the Arts University of California Press, Berkeley 1978' in Environment and Planning B 1979 6 471-472

    Knight T 'Shape grammars and color grammars in design' Environment and Planning B: Planning and Design 1994 21 705-735

    Knight T 'Languages and transformations: a new approach' in Transformations in Design: a Formal Approach to Stylistic Change and Innovation in the Visual Arts Cambridge University Press 1994

    Krishnamurti R. Earl C F 'Shape recognition in three dimensions' Environment and Planning B: Planning and Design 1992 19 585-603

    March L 'Babbage's miraculous computation revisited' Environment and Planning B: Planning and Design 1996 23 369-376

    March L 'The smallest interesting world' Environment and Planning B: Planning and Design 1996 23 133-142

    March L, Stiny G 'Spatial systems in architecture and design: some history and logic' Environment and Planning B: Planning and Design 1985 12 31-53

    Stiny G. 'What is a design?' Environment and Planning B: Planning and Design 1990 17 97-103

    Stiny G 'A note on the description of designs' Environment and Planning 1981 8 257-267

    Stiny G 'Boolean algebras for shapes and individuals' Environment and Planning B: Planning and Design 1993 20 359-362

    Stiny G 'Formal devices for design' in Sandra L Newsome, W R Spillers, Susan Finger ((eds.).) Design Theory '88 Springer- Verlag, New York 1988

    Stiny G 'Shape rules, closure, continuity, and emergence' Environment and Planning B: Planning and Design 1994 21 s49-s78

    Stiny G 'Spatial relations and grammars' Environment and Planning B 1982 9 113-114

    Stiny G 'The algebras of design' Research in Engineering Design 1991 2 171-181

    Stiny G 'Weights' Environment and Planning B: Planning and Design 1992 19 413-430

    Stiny G. March L 'Design machines' Environment and Planning B 1981 8 245-255

    INVITED EXTERNAL PARTICIPANTS

    Erik Antonsson, Cal Tech erik@design.caltech.edu

    Professor of Mechanical Engineering; Director, Engineering Design Research Laboratory Organizer NSF Sponsored Workshop on Structured Design Methods for MEMS, 1996

    Michael Batty, University College London, UK mbatty@geography.ucl.ac.uk

    Professor of Spatial Analysis and Planning and Director, Centre for Advanced Spatial Analysis. Associate Director, National Center for Geographic Information and Analysis, 1990-95. Journal Editor Environment and Planning B: Planning and Design

    Christopher Chippendale, Cambridge University, UK cc43@cus.cam.ac.uk

    Senior Curator, Museum of Archaeology and Anthropology Journal Editor Antiquity

    Mark Cutowsky, Stanford University cutkosky@cdr.stanford.edu

    Charles M. Piggott Professor, Associate Chair for Design and Manufacturing, Design Division, Department of Mechanical Engineering

    Clive Dym, Harvey Mudd, Claremont College clive_dym@ghmc.edu

    Fletcher Jones Professor of Engineering Design, Director, Engineering Design Center, Department of Engineering. Founding Editor Artificial Intelligence for Engineering Design, Analysis and Manufacturing

    Christopher Earl, Newcastle-on-Tyne, UK C.F. Earl@newcastle.ac.uk

    Lecturer in Design and Manufacture, Department of Mechanical, Materials and Manufacturing Engineering

    Chuck Eastman (UCLA leave of absence), GeorgiaTech

    chuck.eastman@arch.gatech.edu

    Professor, Doctoral Program, College of Architecture

    Susan Finger, Carnegie Mellon University sfinger@wyvern.edrc.cmu edu

    Adjunct Associate Professor, Robotics Institute NSF Program Director, Design Theory and Methodology, 1986 Organizer NSF Grantee Workshop on Design Theory and Methodology, 1988. Journal Editor, Research in Engineering Design: Theory, Applications, and Concurrent Engineering

    Ulrich Flemming, Carnegie Mellon University ujf@edrc.cmu.edu

    Professor, Architecture, and Engineering Design Research Center

    James Gips, Boston College gips@cs.bc.edu

    Professor, Department of Computer Science, Carroll School of Management

    Russell Kirsch, Emeritus, National Institute of Science and Technology kirsch@nist.gov

    Terry Knight, MIT tknight@mit.edu

    Associate Professor (latterly UCLA), Institute for Advanced Visual Studies

    Theme Issue Editor Planning and Design: Design and Computation, the Los Angeles School, 1972- 1997

    Ramesh Krishnamurti, Carnegie-Mellon ramesh@arc.crnu.edu

    Professor, Director of CADLAB, Department of Architecture

    Alan de Pennington, OBE, Leeds University, UK adep@leva.leeds.ac.uk

    Professor of Computer Aided Engineering, Department of Mechanical Engineering. Director, The Keyworth Institute of Manufacturing and Information Systems Engineering. NSF Program Director for Computer Integrated Engineering (1986)

    George Stiny, MIT stiny@mit.edu

    Professor (latterly UCLA), Design Theory, Department of Architecture

    William Spillers, New Jersey Institute of Technology spillers@admin.njit.edu

    Distinguished Professor, Chair, Civil and Environmental Engineering

    Organizer of NSF Symposium on Basic Questions of Design Theory, 1974

    NSF Grantee Workshop on Design Theory and Methodology, 1988

    INVITED UC PARTICIPANTS

    Alice Agogino, Engineering, UCB, Associate Dean

    Ed Carterette, Psychology UCLA, Emeritus

    Helen Couclelis, Geography UCSB, Associate Director NCGIA

    David Harrah, Philosophy UCR, Emeritus

    Michael Jura, Physics, UCLA

    David Levine, Economics, UCLA

    Robin Liggett, Architecture and Urban Design/ Urban Planning, UCLA

    Ajit Mal, MANE, UCLA

    Richard Nelson, Civil and Environmental Engineering, UCLA

    Stott Parker, Computer Science, UCLA

    Dwight Read, Anthropology, UCLA

    Paul Schachter, Linguistics, Emeritus, UCLA